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200 Years of Mozart
While students from the Vienna University of Music
prepare for a performance of The Marriage of Figaro, Mozart's life and
musical accomplishments are considered. |
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60s Music Video Album
Classic performances by Smokey Robinson
and The Miracles, Fontella Bass, The Zombies, and others will take you back
to the years of brotherly love, social unrest, and hope for the future. |
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70s Music Video Album
Great performers such as Stevie Wonder,
Peter Frampton, Todd Rundgren, and others perform their hits in an original
production which includes news footage from the era. |
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African Drumming and
Dance
Learn the significance and
history of these art forms, as authentic drummers and dancers perform before
a live audience. |
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American Folk Music
Like the immigrants who brought them to
America, the folk ballads of Britain and Ireland retained much of their
heritage while becoming something new on American soil. |
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Amid Tears and Sorrow
On a presentation copy of
his A Major Cello Sonata, Beethoven wrote Inter lachrymas et luctus—
amid tears and sorrow. Despite its inscription, the A Major Cello Sonata is
basically not a sad work. The irony for us is in the performance by
Barenboim and his wife, the late Jacqueline du Pre. Hailed as the greatest
cellist of this century, she contracted multiple sclerosis shortly after
this performance was filmed. Beethoven had, by the time he wrote this
sonata, apparently learned to deal with his deafness; Jacqueline du Pre
never played again. |
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Appassionata
Its very name tells us
about the emotional strength of this piano sonata. But it is a work of
music, and therefore abstract. It does not correspond to events in the
composer’s life, nor can it be adequately described in words and images. The
wordless experience must be the listener’s own. In this program, Barenboim
plays the sonata in its entirety. |
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Basic Music Vocabulary
The study of music involves learning some
specialized vocabulary . This video defines the essential terms and
expressions and illustrates each item with examples. |
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Beethoven and the Sonata Form
Form was a continuing
concern for Beethoven—the structure and inner logic of music, the way themes
are built and developed and which elements are juxtaposed, and particularly
the creation of unity from opposing ideas and themes. That is why the sonata
form suited him so well, because it is based on this kind of contrast.
Barenboim uses the first movement of the Waldstein Sonata as an
illustrative case, examining the statement and development of subjects, the
contrasts in melody and rhythm, the nature of the transitions, the structure
of the recapitulation, the impact of the coda. After analyzing these
elements, he performs the movement without interruption.
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Beethoven the Promethean
Barenboim illustrates and
explains Beethoven’s individualistic style, how he made the musical
tradition of Haydn and Mozart his own, and the link between his music and
his personal struggles and deafness. Selections performed: Symphony No. 2,
Sonata for Piano No. 1, Concerto for Piano and Orchestra in C minor,
Mozart’s Concerto for Piano and Orchestra in C minor, Beethoven’s Sonata for
Piano in C minor and Mozart’s Sonata for Piano in C minor, Mozart’s Symphony
No. 40 in G minor, Beethoven’s Symphony No. 5 and 7 (last movement
complete). |
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Bluegrass Roots: On The Road With Bluegrass
Musicians
David Hoffman captured the
stories of 15 Life Magazine photographers for this TV special. Each
photographer presents best photographs and tells behind-the-scenes stories
of how they were made. The results are extremely valuable for photographers
and photojournalists, but also emotional for other viewers who want to
relive some of the greatest moments of the 20th century, and some of the
silliest as well. |
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Bowed Instruments
In the 11th century,
European musicians tried to make their instruments sound like the human
voice. Instead of plucking the strings, they began drawing a piece of wood
or bone across them to sustain the tone. By Elizabethan times, the viol was
the aristocrat of bowed instruments, while the violin was considered fit
only for pubs and parties. This program shows how fashions as well as
musical instruments changed. (30 minutes) |
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Brass Instruments
The development of brass instruments from
the lowly cowhorn. Although trumpet fanfares and brass bands are relatively
recent in the history of music, even the bone or wooden ancestors of the
trumpet were associated with royalty, pomp, or war. David Munrow explains
how pitch variations are achieved with these brasses. |
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Cantemos en Espanol (Spanish)
This enjoyable learning experience for
all ages presents favorite Latin American songs in a sing-along format.
Young Colombian musicians perform classic songs. |
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The Complete Bascom Lamar Lunsford Bluegrass
Story
Lunsford was a superb mountain musician who spent his life hunting down the
songs, dances and unknown performers of the Appalachian region. He fought to
bring dignity to "hillbilly music" and this made him a folk hero. He
recorded thousands of songs for the Smithsonian. In the summer of 1928, he
created the first Bluegrass Festival by founding his first Asheville
Mountain Dance and Folk Festival.
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Comprehensive Vision
Beethoven’s last appearance
in concert was in the Fourth Piano Concerto—one of the least dramatic of his
works. Without the shattering emotion of the Eroica, the Fifth or the
Ninth Symphonies, or the power of the Emperor Concerto, the tragic
sense of the Third, or the glittering virtuosity of the First and Second,
the Fourth Concerto is the index to Beethoven’s breadth of creative vision.
Barenboim performs the complete first movement of the Fourth Piano Concerto
with Sir Adrian Boult conducting the New Philharmonia Orchestra. (28
minutes) |
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Computers in Music: Composing
Made Easy
Adding music to technology creates a
powerful combination that opens the door to endless creative possibilities
for young people. Ray Dretske introduces students to the art of composing.
Open a creative young mind today! |
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Early Musical Instruments
The ancestors to modern
instruments are described and demonstrated by the Early Music Consort of
London. Narrated by David Munrow. |
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Family & Survival
This program investigates
the state of the American family. Less than 5% of American households fit
the stereotype of the traditional nuclear family with a working father and a
wife/mother who stays home to take care of the house and children. The
stresses created by divorce, both parents working, and single-parenting are
far more common today. It is the children who bear the heaviest burden. |
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Fifth Symphony
The more one knows about
Beethoven’s music, the less necessary is it to say anything. By this time,
students should understand the relationship between Beethoven’s deafness and
his composition, his use of sudden contrasts and about-faces, his mastery of
the orchestra, his handling of melody, variation, development, transition,
and recapitulation. Suffice it, then, to conclude this series with a
performance of the complete Symphony Number 5 in C minor, performed by the
New Philharmonia Orchestra under the direction of Daniel Barenboim. |
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Flutes and Whistles
Primitive men developed the first musical instruments when they used tubes
of bamboo, bone, or wood to produce whistling sounds. The ancient Greeks
later played pan-pipes. This program shows what happened as the same
principle was applied to a wide range of instruments.
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History of Wind Instruments
This video takes you on a tour through
the evolution of wind instruments and shows you how they are being used in
modern music. Discover the world of wind instruments. |
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Instruments of the
Orchestra
Join us in the concert hall as we explore the four types
of instruments that beautifully combine to form an orchestra. The string,
woodwind, brass, and percussion families are each discussed and
demonstrated. This is an excellent introduction to the elements of an
orchestra |
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Introduction to Computers in
Music
Musical technology can open
up a wealth of creativity in young people. Ray Dretske shares topics from
his acclaimed All-School Assembly Program. Live footage of his performance
for school children is included. |
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Jazz
Jazz is the uniquely American musical
idiom which has swept the world. Explore the development of the hot licks
and cool sounds of America's homegrown music. |
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Journey Through Jazz
The powerful emotions and cultural significance of jazz
music provide the backdrop for this artistic exploration. |
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Keyboard and Percussion
A close look at such
rarities as the dulcimer and the hurdy-gurdy, as well as better-known
instruments like the organ, harpsichord, and kettledrums.
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Last Piano Sonata
Opus 111, Beethoven’s last
sonata, has only two movements; there appears to be nothing further to say.
The first movement shows his terrifying energy; the second is serene,
elemental. Barenboim analyzes the development of subjects, the contrasts in
melody and rhythm, the shape of the transitions, the structure of the
recapitulation and the coda, and then plays the second movement in its
entirety. (28 minutes) |
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Late Works
Beethoven’s late works must
be experienced and the analysis limited to the facts—the music is more
compact, the use of contrasts is heightened, changes are more abrupt, the
themes simpler. Turning from the symphony to the string quartet is an
example of the tightening of the whole and the more meticulous detail to
part writing, to the shape of the inner voices. Selections performed include
a section of the String Quartet, Opus 130; Symphony No. 9 (Opus 125),
Recapitulation; Bagatelle Opus 119; Piano Sonata Opus 111 (complete first
movement). (28 minutes) |
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Latin Legends: Rhythm and
Sound (English)
Discover the roots of Latin music and
understand how it is made. Listen to the many rhythms that have made salsa
one of the most popular genres of music in the world. |
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Learning to Read Music
Music is much more important to us in our
everyday lives than many of us might suspect. Learn about the essentials of
reading music and find out how music can enhance your life. |
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Learning to Read Music for Keyboard
Discover the importance of music in our
lives. Learn about the essentials of reading music through state-of-the-art
computer animation. Experience what music can do for you. |
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Minuet into Scherzo
Beethoven’s impatience with
the social graces and formality of the society in which his patrons moved is
seen in his transformation of the most conventional musical form of the
time, the minuet, into the scherzo, in which he retained the rhythm but used
the movement in entirely new and revolutionary ways. Selections performed:
Piano Sonata in C, Op. 2 No. 3 (lst movement complete), Haydn’s Symphony No.
99 (Trio extract), Beethoven’s Piano Sonata No. 4 (Trio extract), Eroica
Symphony (Scherzo complete). |
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Music Is Composed
Murry Sidlin and the National Symphony
Orchestra demonstrate how music evolves from the first spark of an idea into
a completed work. Also includes a good explanation of the 12-tone system. |
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Music Is Form
Murray Sidlin and the National Symphony Orchestra
investigate the organization of musical compositions, and they look at how
composers fit separate musical ideas into a whole. Various aspects of theme
and variation are addressed. |
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Music Is Harmony
Murray Sidlin and the National Symphony
Orchestra demonstrate the creation of rich musical texture. They explain
which combinations of sounds are best in given situations, and they talk
about a variety of ways in which harmonies can be played. |
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Music Is Style
Murray Sidlin and the National Symphony
Orchestra show how music reflects the era in which it is created. Travel
from the ornate Baroque, through Classical simplicity, and into the Romantic
and Modern eras. |
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Music Is Tone Color
Murray Sidlin and the National Symphony
Orchestra explore the tone colors of the human voice. They also look at a
modern synthesizer and at many instruments, in order to show how sound
quality can vary. |
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Music of Africa
We are all familiar with the influences
of African music on other styles, but the music of Africa is exciting and
vital in its own right. |
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Music of India
The music of India conjures up exotic
images of a culture we can barely understand. This live-action program
identifies and demonstrates various instruments and presents them in
concert. |
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Music of Japan
The instruments look strange to us, and
they are played according to a different scale. Nevertheless, the music of
Japan can be very moving. Here is an informative look at another culture. |
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Music of Latin America
(English)
The distinctive music of
Latin America is a blend of the wind and percussion instruments of native
Indians with Spanish and Portuguese influences added. |
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Music of Mexico and South
America (English)
Performers provide a sampling of
traditional music that originates in Mexico and South America. Various
native instruments are used to create hauntingly beautiful sounds. |
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Music of the Middle East
By learning about the instruments and the
music of the Middle East, we find that a mixture of cultures has created a
family of musical styles that are usually linked to dance, and which are
always emotional. |
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Music of the Renaissance: Ars
Antiqua
Players in period costume demonstrate the
instruments and sounds of the 13th Century and discuss madrigals, canons,
and ancient instruments. |
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Orpheus Taming
the Furies
It is only a few minutes
from the angelic, gentle, calm statements of the first movement of the
Fourth Concerto to the orchestral explosion in the second movement—an
explosion for which a lesser composer might have required a huge brass
section but which Beethoven manages with only the strings. The piano subdues
the aggressive orchestra, an effect that Franz Liszt compared to Orpheus
taming the Furies. The transition from the second to the third movements
shows Beethoven at his most glorious, in total control of all the means at
his disposal, demanding from the audience a full and total commitment. This
is very definitely not background music. Barenboim plays the second and
third movements of the Fourth Piano Concerto with Sir Adrian Boult
conducting the New Philharmonia Orchestra. |
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Our Mexican-American Musical Heritage
(English)
Spanish conquerors suppressed the music
of Mexican natives, but the Indians adopted the European instruments and
adapted them to their own styles. |
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Plucked Instruments
The roots and foreign
branches of the guitar-family tree. The program looks at the more important
of the many relatives of this instrument. |
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Reed Instruments
The development of reeds
from those played loudly by the Saracens to frighten the Crusaders’ horses,
to the seventeenth-century forerunners of today’s orchestral reed
instruments. |
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Rhythm for All Musicians
Understanding patterns of
rhythm will enhance your ability to read music. Learn how to interpret
rhythmic notation. |
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Rock Roots: History of
American Pop Music
Trace the history of popular music
through its various stages and learn what influence it had upon American
culture. |
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Symphonist
Almost all of Beethoven’s
music has a symphonic character. A great pianist himself, he overrode the
boundaries of the piano to bring out of the instrument a new range of
expression. Barenboim demonstrates this range with excerpts from the
Pastoral Sonata, Opus 28, and the Hammerklavier. But the musical
strength evinced here can lead to a misunderstanding of Beethoven’s happier
works. It is a mistake to read Beethoven’s work programmatically, to laud
the struggle of the odd symphonies and dismiss the lighter even ones.
Barenboim conducts the New Philharmonia Orchestra in the first movement of
the Symphony No. 8. |
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The Eroica
Although the Second
Symphony bears the unmistakable stamp of Beethoven’s language, it remains
within the bounds of expression laid down by Haydn. But the Eroica,
composed within a year of the Second, is another matter. Barenboim explains
the workings of the theme, Beethoven’s use of modulation and resolution,
harmonic and melodic ambiguity, chromatic and dynamic progression, and range
of variety achieved through repetition. Barenboim then conducts the New
Philharmonia Orchestra in the complete first movement. |
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Theory for All Musicians|
This thorough introduction to music
theory includes the musical alphabet, diatonic scales, tetrachords, major
scales, modes, key signatures, chords and intervals, relative minors,
pentatonic scales, and much more. |
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Toscanini: The Maestro
A portrait of the man who
pioneered the concept that the conductor’s function is to express the
composer’s intentions, who conducted Verdi’s Requiem at the
composer’s funeral and "The Star-Spangled Banner" for a United Nations
program. |
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Working Process
The Second and Third
Leonore Overtures offer an invaluable insight into Beethoven’s working
methods, the process by which he created, and his attitude toward his music.
How did Beethoven unite the themes and chromatic progressions, the colors,
contrasts, and rhythms, the melodic lines and sudden outbursts and final
resolutions together into an organic, structured whole? In the Second
overture, he tried to describe the dramatic events of the opera, discarding
the sonata form. But in the Third overture, he returned to the sonata form
to create an instrumental music drama in its own right. Some critics,
including Wagner, prefer the more lyrical Second. Barenboim explains
Beethoven’s intense interest in form and why he thinks the Third shows
Beethoven, the master of form, at his greatest.
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