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The Second and Third
Leonore Overtures offer an invaluable insight into Beethoven’s working
methods, the process by which he created, and his attitude toward his music.
How did Beethoven unite the themes and chromatic progressions, the colors,
contrasts, and rhythms, the melodic lines and sudden outbursts and final
resolutions together into an organic, structured whole? In the Second
overture, he tried to describe the dramatic events of the opera, discarding
the sonata form. But in the Third overture, he returned to the sonata form
to create an instrumental music drama in its own right. Some critics,
including Wagner, prefer the more lyrical Second. Barenboim explains
Beethoven’s intense interest in form and why he thinks the Third shows
Beethoven, the master of form, at his greatest. (28 minutes)
ORDER CODE: FFMBVL1224V
VHS
VIDEO
ORDER CODE: FFMBVL1224DVD
DVD
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